Month: November 2017

Behind The Scenes at Derby Theatre: with Costume Designer, Tim Heywood

I’m so thrilled to dedicate this blog post to one of my personal favourite processes of Derby Theatre productions. Pretty much the element that can always pull a show together, that breathes life into characters’ looks; Costume. Here at Derby Theatre, we’ve had the chance to catch a glimpse of Derby Theatre’s Head of Wardrobe, Tim Heywood’s mind palace when it comes to working on the theatre’s most festive shows during the winter season.Costume Designer, Tim Heywood is responsible for the actors’ fitting yet striking ensembles you’ve seen in Derby Theatre’s Charlotte’s Web, Alice in Wonderland, Great Expectations, Gingerbread Man and many many more.With that automatically comes a process, a basic ritual that always starts with the script he’s working with. One of his favourite ways to help develop a clear idea of what he’ll be working on are patterns.

Tim’s costume work consists of designing, buying, or borrowing certain garments. However, mostly for reference, Tim likes to collect vintage patterns and compare them to today’s Victorian-style patterns as guidelines to create for his actors. Compared to today’s style of creating garments, one of the most significant differences are the seams. The seams done in the 1800s were sewn down the back for the appearance and improvement of posture. Those same seams worn today would make the actors feel uncomfortable, so Tim will then come up with alternatives.

When working on Period Shows like Great Expectations, Alice In Wonderland, Cinderella and so forth – there must be some sort of common ground between the 1800s style corset/dress and the comfort of the actors working in their costume. That’s where Tim’s innovation and technique comes in and works with what he refers to as the clues in his costumes. Besides the fact that it is a costume, he thinks about the characters themselves, from within, about their lifestyle, how they like to see things, how they like to dress, and what their look says about them from the audience’s point of view. It all comes into play and this season he’s working on the upcoming production, Peter Pan!

Here’s a behind the scenes scoop on Mr Heywood’s process towards preparing for the well-known classic!1. The File.This is perhaps the ideal bulk of the entire show, all put together into one file of which he likes to call his bible.This Peter Pan Edit contains:

  • Ideas that come to mind from director, Sarah Brigham or set designer, Neil Irish – more of a collaborative task
  • Mini Profiles of the cast members for their costumes, for reference and what could work for each of them
  • Contact details to call for measurements and alterations
  • Photocopied images for inspiration
  • The mood this production is going for; punk, theatrical vibes, the music, art form etc.
  • The characters themselves in the story and their atmosphere as well as their personal style

2. Meetings

  • Next, Tim will run through his file and lay out all the visuals of what the characters costumes could revolve around with the director until they end up with one main photograph for each character
  • He’ll then ask the director for a list of what instrument each actor plays or at least any hobbies they have, just to use as reference for the characters they’re playing – to give a more practical feel here and there

3. The Mindset

  • In this case, Peter’s story is not only being told but it’s also shown through what he’s wearing. To grab a sense of what he’s feeling and his mindset on things.
  • Once the main ideas are finalised, Tim finds his connection to the play through putting all the minor details and clues into a final design of his depiction of the costumes – kept in his portfolio/archive and works from there.


To create anything from something you’ve interpreted from the mind is amazing, and to do that with a costume in my eyes would require a lot of patience and ease when focused. Tim Heywood takes pride in paying attention to detail in his work, very thorough. He designs these artistically exquisite illustrations and brings them yet again to life through materials that relate to his characters one way or another.Thanks to the rest of the DT Ambassador team for organising this behind the scenes walkthrough!And a very special thank you to Costume Designer, Tim Heywood for meeting with us and kindly sharing and allowing us to see, learn and document his incredible work!If you would like to book your tickets to see PETER PAN at Derby Theatre this winter, please click the link here

Once again thank you so much for stopping by The Belper :)Lots of love,e0e90955-52de-40d7-8bba-8131241c9610-1

EYE LOOK: Green Lids

For this edit, I was very much inspired by the recent weather we’ve had here in the UK…….👀I’m not one to lean towards dark gloomy colours for day-to-day eyeshadows as It’s quite hard to pull off without looking dull. However, for a change I wanted to try a colour, I wouldn’t always go for, Green! (In this case dark green, but whatever) 😉

To ensure that this look would work for my skin tone, I bronzed up the skin (with Bobbi Brown’s Foundation stick used as a bronzer/contour) a little more than usual to add contrast against the eyes (a good tip for anyone who finds it tricky to work with cool toned eyeshadows) and purposely kept the brows straighter to modernise the eyes a bit.

Creating the eyeshadow look itself was quite interesting, I first buffed a dark green shadow on my eyelids then followed with a true green right on top only on my eyelid and finished with the dark green – sweeping out as if I’ve created a liner look. No transition shades, just green shadows. I didn’t expect to just leave the colour on the lids without adding a red or an orange shade to even out the look, I found this result quite refreshing.

I faintly lined my eyes black liquid liner to give off the illusion of thicker lashes and topped off with mascara. Now for the lips – I’ve found for me that when it comes to darker shadows, brown or even orange under-toned lip colours add life back into the makeup, just pulls the whole look together.

I’ve very much enjoyed experimenting with more ‘unusual’ colours for eyeshadow this autumn. Out of my comfort zone, but fun!

If you have any recommendations for different looks/colours to work with, don’t hesitate to let me know in the comments 🙂

Thank you so much for stopping by The Belper!

Lots of love,

Essentials EDIT: The Pinned Blazer Look

My newest and most favourite essential atm has to be this very oversized blazer I recently thrifted. So oversized to the point that I had to pin the blazer with my seahorse broach (also thrifted) to give somewhat of an asymmetrical shape.

This houndstooth blazer is actually a men’s blazer, but because of how oversized it is on me – I’ve found that it’s perfect to throw on while running an errand or even paired with a turtleneck to keep warm yet sophisticated. It’s definitely become a favourite piece of mine and I love it.

BLAZER: Thrifted (for £1,😱 I’m serious)




I know this is quite different but I still hope this gives a bit of tailored inspo to try out or incorporate if you’re experimenting with oversized blazers in your wardrobe. Perhaps not as oversized as mine lol but I think this look is simple, fun yet structured 🙂

Thanks for stopping by The Belper!

Lots of love,